Andy Cochran — filmmaker, storyteller, problem-solver
A figure rides a bicycle down a snow-covered street lined with bare trees, from Adult World
Adult World (2013) · written by Andy Cochran, directed by Scott Coffey

Andy Cochran

“I’m fascinated by the terrible choices people (and characters) make under pressure.”


I was told by a mentor early in my career that (1) I didn’t look like a writer (whatever that means) and (2) that this would be a problem in Hollywood. It was. Seriously — this is my excuse and I’m sticking with it.

My career started when I was an intern. I made a $100 wager with a fellow intern that I could write a script that would sell. So I wrote a script. It went out to town, sold, and even got made. I never got my $100.

I was 23, and wildly ill-equipped. After the sale, every exec, producer and actor read my script, and suddenly I had three meetings a day, with no idea how to navigate the clusterfuck of egos and personality disorders that is the Hollywood machine.

Also: to sell anything, writers have to go into conference rooms and perform for executives. Like dog tricks. Before my first studio pitch, I asked for advice. “You want eye contact,” I was told. So, naturally, I felt good as I pitched a carefully threaded twist ending to a studio exec, who seemed rapt — with direct eye contact. After I said, “The End,” she leaned forward. “And how old are you?”

I was advised to grow a beard. I couldn’t (and still can’t). Glasses helped. Pitching over the phone helped more.

It was a rough start, but since then I’ve been a script doctor, restructured movies in post-production, punched up comedies at roundtables, and served as head writer on an independent series NBC bought.

I’ve written 26 scripts, 20 of which were sold or set up, which I’m told is a pretty good batting average. Some of those scripts got made. (Taking your name off a movie is harder than you’d think. Please don’t judge me by my IMDb.)

Personally, I like to think I’m better known for the scripts that didn’t get made than the ones that did — and that the true quality of my work is reflected in the caliber of the collaborators it attracted, including multiple Academy Award, Golden Globe, and Emmy winners, and even a Grammy winner.

Past collaborators include:

  • Oscar-winning producer Michael Sugar (Spotlight)
  • Oscar-winning producer Scott Rudin (No Country for Old Men, Lady Bird)
  • Oscar-winning producer Dan Jinks (American Beauty, Milk)
  • Oscar-winning producer Blye Faust (Spotlight)
  • Oscar-winning producer Nicole Rocklin (Spotlight)
  • Oscar-nominated producer Bill Gerber (A Star Is Born, Gran Torino)
  • Oscar-nominated producers Albert Berger & Ron Yerxa (Little Miss Sunshine, Nebraska)
  • Oscar-nominated producers Michael Shamberg & Stacey Sher (Erin Brockovich, Pulp Fiction)
  • Oscar-nominated producer Dan Dubiecki (Up in the Air, Juno)
  • Executive producer Miky Lee (Parasite)
  • Director Ryoo Seung-wan (Veteran, Escape from Mogadishu)
  • Oscar-nominated director Jason Reitman (Thank You for Smoking, Up in the Air)
  • Director Jon M. Chu (Wicked)
  • Oscar winner Anne Hathaway (Les Misérables)
  • Oscar nominee Kirsten Dunst (The Power of the Dog)
  • Golden Globe winner Evan Peters (Dahmer)
  • Golden Globe nominee John Cusack (High Fidelity)
  • Grammy winner and Tony nominee Josh Gad (The Book of Mormon)

It’s been an incredible honor to learn from so many brilliant, wonderful people.

Still, I’ve stopped taking studio and network jobs, mostly because of the studios and networks. Life is too short. Unless it’s guaranteed to get made, and made well. Then let’s talk.

What I care about most now is effecting positive change in the world. I have a deep passion for human rights and human dignity, and that’s where most of my energy goes — on the page and off it.

And there’s so much more. It just hasn’t been written yet.

  • “Smart, original comedy. Brims with snappy lines. John Cusack is hilariously droll. Adult World is a winner.”

    Los Angeles Times

  • “Sharp, witty, wise writing.”

    Interview Magazine

  • “A smart but wince-inducing satirical comedy.”

    The New York Times

  • “Credit must be given to Andy Cochran’s screenplay for its unpredictable plot detours and frequent flashes of wit.”

    The Hollywood Reporter

  • “Surprisingly sharp social commentary, painting a grim picture of rich kids born on third base who act like they’ve hit a triple.”

    Variety

  • “A terrific small-budget indie… weirdly moving.”

    Stephanie Zacharek / The Village Voice

Feel free to reach out: info@andycochran.media.

Stills

A face peers through a hole cut in a painted wall in Adult World
A figure rides a bicycle down a snow-covered street in Adult World
Two students on a bench with a laptop outside a brick school building in Restless Virgins
A student listening intently in a classroom scene from Restless Virgins